For The Exhibitionist’s second edition of “La Critique,” in which contributors are asked to reflect on the preceding three issues of the journal, the editors decided to create the issue entirely through conversations in order to elicit dynamic and frank responses between a diverse group of curators who may not […]
Monthly Archives: November 2013
Word Association: Gerhard Rühm, Theo Altenberg, Ann Cotten & Kerstin Cmelka revisit the experiments in poetry and art of the ‘Wiener Gruppe,’ a collective founded in postwar Vienna in reaction to the suppressed aesthetic movements of the time. Vienna Interiorism: Dominikus Müller and Helen Chang explore the unique role that […]
In 2008, the Contemporary art center La Ferme du Buisson, and the Kunst Halle Sankt Gallen invited Mathieu Copeland to curate A Choreographed Exhibition. Exclusively composed of “movements” written by eight artists—Jonah Bokaer, Philipp Egli, Karl Holmqvist, Jennifer Lacey, Roman Ondák, Michael Parsons, and Fia Backström & Michael Portnoy—and executed […]
Afterall present issue 34, Autumn/Winter 2013, which looks at the inscription of ideology, power and desire in cultural production through the work of Lene Berg, Mary Ellen Carroll, Lili Dujourie, Lucy McKenzie and Haegue Yang. Accompanying essays discuss questions of artistic and curatorial agency in Mike Kelley’s exhibition The Uncanny […]
The Royal Institute of Art, Stockholm, and Sternberg Press announce the publication of Scandalous: A Reader on Art and Ethics (ed. Nina Möntmann). A book launch will take place at Iaspis in Stockholm, with presentations by Nina Möntmann and Måns Wrange and a film screening by Renzo Martens. Recent encounters […]