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frieze issue 161 published

Issue 161 of frieze looks at Big Data: how do state surveillance and quantification culture affect our behaviour and artistic production? Co-editor Jörg Heiser leads a survey in which seven artists, writers and academics reflect on this question. With contributions from Mercedes Bunz, Jordan Ellenberg, Sarah Hromack, Trevor Paglen, Laura […]

Artforum February 2014

This month in Artforum: Mario Carpo on big data and digital design: “In hindsight, the curving forms of the first digital age appear more and more as a transitional style. Today’s data-driven computation is alien to that modern logic.”—Mario Carpo Manthia Diawara on the art of Kader Attia: “Attia’s practice […]

TATE ETC. Issue 30

Highlights include Michael Bracewell‘s three-part homage to Richard Hamilton, an insightful interview with Richard Deacon, Nicholas Cullinan‘s introduction to Tate Modern’s upcoming Henri Matisse exhibition, Brian Dillon on Ruin Lust, Michael Bird on Lynn Chadwick, Patrick Keiller on D’Arcy Wentworth Thompson‘s influential On Growth and Form, Bice Curiger on Urs […]

Cabinet magazine issue 51

–Christopher Turner in conversation with Simon Schaffer on the absolutist promise of perpetual motion –Suzanne Karr Schmidt on volvelles, the paper wheels used in early modern computation –D. Graham Burnett on hubcap “spinners” and the automotive unleashing of blur –Jeff Dolven in conversation with John V. Fleming on wheels of […]

Skira Rizzoli announce William Glackens monograph

Edited by Avis Berman, Contribution by Elizabeth Thompson Colleary, Heather Campbell Coyle, Judith F. Dolkart and Alicia G. Longwell A monumental new monograph accompanying the first major retrospective in fifty years of the work of William Glackens, an important American realist painter. This richly illustrated volume provides a comprehensive introduction […]

Artforum January 2014

January in Artforum: The groundbreaking performances of Sarah Michelson: “Michelson’s works are indicative of a dancer for a new century—not an American century, but a century that belongs less to any state than to an economic order.” –David Velasco Catherine Opie brings her camera to Elizabeth Taylor‘s house: “Has Opie […]

frieze issue 160 published

In the January/February issue of frieze: 8 Painters on Painting: ‘I would like my work to slow the viewer down and delay the moment of understanding.’ (Ellen Altfest). Jennifer Higgie leads a survey of contemporary figurative painting, asking eight artists what defines their practice and why they continue to paint […]